COPYRIGHT, PLEASE NOTE

All the material on this website is copyrighted to J-P Metsavainio, if not otherwise stated. Any content on this website may not be reproduced without the author’s permission.

BUY A MUSEUM QUALITY POSTER

Monday, February 9, 2015

Abell 85 (CTB1), a dim Galactic Supernova Remnant in Cassiopeia


I managed to collect some lights for this object between 19.01 - 08.02. 2015. The transparency was poor at all nights and speeding clouds interrupted the imaging session way too soon. Altogether I collected only four hours of H-a and two hours of O-III.


Abell 85 (CTB1) 
SNR G116.9+00.1 in constellation Cassiopeia

A bicolor photo of Abell 85 from an emission of ionized elements,
Oxygen and Hydrogen (O-III and H-alpha)

An experimental starless photo shows the actual SNR better

The ionized oxygen, O-III, can be seen as a blue color. The O-III channel is very weak and I was able to dig it out it only at left side of the shock front.


The supernova remnant in H-alpha light alone



INFO

Abell 85 is a very faint supernova remnant in constellation Cassiopeia. It's difficult to image with any details due to extremely low surface brightness. Abell 85 has a largish diameter, about half a degree, it has a same apparent diameter as a full Moon. The physical diameter is about 98 light years across. This SNR locates about 9800 light years from the Earth. CTB1 was originally thought to be a planetary nebula and it was included the Abell catalog of planetary nebulae under a name Abell 85. It was confirmed to be a supernova remnant by Willis & Dickel at 1971.

Technical details

Processing work flow
Image acquisition, MaxiDL v5.07.
Stacked and calibrated in CCDStack2.
Deconvolution with a CCDStack2 Positive Constraint, 33 iterations, added at 50% weight
Color combine in PS CS3
Levels and curves in PS CS3.

Imaging optics
Celestron Edge HD 1100 @ f7 with 0,7 focal reducer for Edge HD 1100 telescope

Cameras and filters
Imaging camera Apogee Alta U16 and Apogee seven slot filter wheel
Guider camera, Lodestar x2
Astrodon filter, 5nm H-alpha
Astrodon filter, 3nm O-III

Exposure times
H-alpha, 12 x 1200s binned 2x2 = 4h
O-II, 6 x 1200s bined 4x4 = 2h


A single un cropped, calibrated and stretched, 20 min. H-alpha frame




Tuesday, February 3, 2015

Supernova remnant IC 443. the Jellyfish Nebula, as an experimental 3d stereo pair



Images are for two different viewing methods, the first set of images is for the Parallel Vision method and the second set for the Cross Vision method. Viewing instructions can be seen HERE.

NOTE! This is a personal vision about forms and shapes, based on some scientific facts, deduction and an artistic impression. A short explanation, about the method used for the 3D conversion of my astrophoto, at the end of this post.

IC 443 supernova remnant as a freeview stereo pair

For a parallel viewing method (Eyes parallel to each other)

Nebula for the Parallel Vision viewing method. Click for a large image.
Original 2D-image can be seen in HERE


For a cross vision viewing method (Eyes crossed)

Nebula for the Cross Vision viewing method. Click for a large image.
Original 2D-image can be seen in HERE

More 3D-experiments in my portfolio, including  the
Red/Cyan anaglyph 3D: http://astroanarchy.zenfolio.com/f359296072


HOW?

I have been asked many times, how my 3D-images are done, so here it goes!

All the original 2D-images are imaged by me, if not otherwise stated.
Due the huge distances, no real parallax can be imaged for a volumetric information.

I have developed a method to turn any 2D-astronomical image to a various 3D-formats. The result is always an approximation of the reality, based on some known scientific facts, deduction and an artistic impression.

What are the known facts?

By using a scientifically estimated distance of the object, I can organize right amount of stars front and behind the object. (as then we know the absolute position of the object at our Milky-way)
Stars are divided to groups by apparent brightness, that can be used as a draft distance indicator, brighter the closer.  There is usually a known star cluster or a star(s) coursing the ionization and they can be placed in right relative position to the nebula itself .

Generally emission nebulae are not lit by the starlight directly but radiation from stars ionizing gases in the nebula. Hence the nebula itself is emitting its own light, at wavelength typical to each element. Due to that, and the thickness of the nebula can be estimated by its brightness, thicker = brighter. Nebulae are also more or less transparent, so we can see "both sides" at the same time.

Many other relative distances can be figured out just carefully studying the image, like dark nebulae must be front of bright ones. The local stellar wind, radiation pressure, from the star cluster, shapes the nebula, For that reason, pillar like formations must point to a cluster. ( Look previous image, above this text.) Same radiation pressure usually forms kind of cavitation, at the nebulosa, around the star cluster, by blowing away all the gas around the source of stellar wind. The ionized oxygen, O-III, emits blueish light, it requires lots of energy to ionize. Due to that, the blue glowing area locates usually near the source of ionization, at the heart of the nebula. This and many other small indicators can be found by carefully studying the image itself.

Using the known data, I can build a kind of skeleton model of the nebula. Then the artistic part is mixed to a scientific part, rest is very much like a sculpting.

WHY?

Firstly, they are great fun to do. Secondly, just because I can.

Many times images of nebulae looks like paintings on the canvas. I like to show a real nature of those distant objects as a three dimensional shapes floating in a three dimensional volume. This is a great way to show, how I personally see astronomical targets as a 3D-forms inside my head.

3D-experiments seems to increase a public interest to a subject, as you might have noticed.
I have studied my astronomical images much deeper, than ever without 3D-modeling.

3D-studies has really added a new dimension to my work as an astronomical photographer. (pun intended)


Monday, February 2, 2015

An exhibition in Oulu, Finland



Astronomical nature photographing, the exhibition open today
Monday, Wednesday and Thursday from 12-18.00 every week until the end of the February.
Kajaaninkatu 13, Oulu, welcome!

The poster photo shows a part of the Cederblad 214 emission nebula.
More info about his photo HERE


A MAP




The Pelican Nebula at bottom left, an aluminum print at size of 62x110cm and many others at size around 50x70cm.



Large aluminium print of the Moon, 60x165cm






Sunday, February 1, 2015

Sharpless 115 as an experimental 3d stereo pair


Images are for two different viewing methods, the first set of images is for the Parallel Vision method and the second set for the Cross Vision method. Viewing instructions can be seen HERE.

NOTE! This is a personal vision about forms and shapes, based on some scientific facts, deduction and an artistic impression. A short explanation, about the method used for the 3D conversion of my astrophoto, at the end of this post.

Sh2-115 emission nebula and Abell 71 planetary nebula as a freeview stereo pair

For a parallel viewing method

Nebula for the Parallel Vision viewing method. Click for a large image.
Original 2D-image can be seen in HERE


For a cross vision viewing method

Nebula for the Cross Vision viewing method. Click for a large image.
Original 2D-image can be seen in HERE

More 3D-experiments in my portfolio, including  the


HOW?

I have been asked many times, how my 3D-images are done, so here it goes!

All the original 2D-images are imaged by me, if not otherwise stated.
Due the huge distances, no real parallax can be imaged for a volumetric information.

I have developed a method to turn any 2D-astronomical image to a various 3D-formats. The result is always an approximation of the reality, based on some known scientific facts, deduction and an artistic impression.

What are the known facts?

By using a scientifically estimated distance of the object, I can organize right amount of stars front and behind the object. (as then we know the absolute position of the object at our Milky-way)
Stars are divided to groups by apparent brightness, that can be used as a draft distance indicator, brighter the closer.  There is usually a known star cluster or a star(s) coursing the ionization and they can be placed in right relative position to the nebula itself .

Generally emission nebulae are not lit by the starlight directly but radiation from stars ionizing gases in the nebula. Hence the nebula itself is emitting its own light, at wavelength typical to each element. Due to that, and the thickness of the nebula can be estimated by its brightness, thicker = brighter. Nebulae are also more or less transparent, so we can see "both sides" at the same time.

Many other relative distances can be figured out just carefully studying the image, like dark nebulae must be front of bright ones. The local stellar wind, radiation pressure, from the star cluster, shapes the nebula, For that reason, pillar like formations must point to a cluster. ( Look previous image, above this text.) Same radiation pressure usually forms kind of cavitation, at the nebulosa, around the star cluster, by blowing away all the gas around the source of stellar wind. The ionized oxygen, O-III, emits blueish light, it requires lots of energy to ionize. Due to that, the blue glowing area locates usually near the source of ionization, at the heart of the nebula. This and many other small indicators can be found by carefully studying the image itself.

Using the known data, I can build a kind of skeleton model of the nebula. Then the artistic part is mixed to a scientific part, rest is very much like a sculpting.

WHY?

Firstly, they are great fun to do. Secondly, just because I can.

Many times images of nebulae looks like paintings on the canvas. I like to show a real nature of those distant objects as a three dimensional shapes floating in a three dimensional volume. This is a great way to show, how I personally see astronomical targets as a 3D-forms inside my head.

3D-experiments seems to increase a public interest to a subject, as you might have noticed.
I have studied my astronomical images much deeper, than ever without 3D-modeling.

3D-studies has really added a new dimension to my work as an astronomical photographer. (pun intended)