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All the material on this website is copyrighted to J-P Metsavainio, if not otherwise stated. Any content on this website may not be reproduced without the author’s permission.

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Saturday, February 14, 2015

New photo, IC 410 in Auriga



We have had very few clear nights at this winter season. At night of February 12 I managed to get enough lights for this object to make a finalized color photo out of it.

IC 410, a "Cosmic Fertilization"

Image is in mapped colors from an emission of  the ionized elements. Golden areas 
are from emission of sulfur and hydrogen, bluish hues are from ionized oxygen.


A closeup




INFO

Emission nebula IC 410 and an open cluster, NGC 1893 inside it, are located in constellation Auriga about 12.000 light years from my home town Oulu, Finland. The cloud of glowing gas is over 100 light-years across, sculpted by stellar winds and radiation from embedded open star cluster NGC 1893.
"Cosmic tadpoles" are potentially sites of ongoing star formation, they are about 10 light-years long.
Emission from sulfur atoms is shown in red, hydrogen atoms in green, and oxygen in blue hues in this mapped color composite image.


IC 410 in visual colors

Natural color composition from the emission of ionized elements, R=80%Hydrogen+20%Sulfur, G=100%Oxygen and B=85%Oxygen+15%Hydrogen to compensate otherwise missing H-beta emission. This composition is very close to a visual spectrum.


Some older wide field photos of the area

12-panel mosaic of the constellation Auriga. IC 410 can be seen as a blueish area at upper middle.
Original blog post about this photo HERE

IC 410 at lower middle. Info about this photo HERE

Technical details

A CCDInspector analysis map of the optical quality

Celestron Edge HD 1100 has a wonderful optical quality. Collimation is now spot on and the scope seems to hold it very well.

Processing work flow

Image acquisition, MaxiDL v5.07.
Stacked and calibrated in CCDStack2.
Deconvolution with a CCDStack2 Positive Constraint, 33 iterations, added at 50% weight
Color combine in PS CS3
Levels and curves in PS CS3.

Imaging optics
Celestron Edge HD 1100 @ f7 with 0,7 focal reducer for Edge HD 1100 telescope

Cameras and filters
Imaging camera Apogee Alta U16 and Apogee seven slot filter wheel
Guider camera, Lodestar x2
Astrodon filter, 5nm H-alpha
Astrodon filter, 3nm O-III
Astrodon filter, 3nm S-II

Exposure times
H-alpha, 12 x 1200s = 4h
O-III, 4 x 1200s = 1h 20 min.
S-II, 5x1200s = 1h 40 min.
Total 7h

A single un cropped, calibrated and stretched 20 min. H-alpha frame




Thursday, February 12, 2015

Sharpless 132, Sh2-132, as an experimental 3D stereo pair


Images are for two different viewing methods, the first set of images is for the Parallel Vision method and the second set for the Cross Vision method. Viewing instructions can be seen HERE.

NOTE! This is a personal vision about forms and shapes, based on some scientific facts, deduction and an artistic impression. A short explanation, about the method used for the 3D conversion of my astrophoto, at the end of this post.

Sharpless 132 as a freeview stereo pair

For a parallel viewing method (Eyes parallel to each other)

Nebula for the Parallel Vision viewing method. Click for a large image.
Original 2D-image can be seen in HERE


For a cross vision viewing method (Eyes crossed)

Nebula for the Cross Vision viewing method. Click for a large image.
Original 2D-image can be seen in HERE

More 3D-experiments in my portfolio, including  the
Red/Cyan anaglyph 3D: http://astroanarchy.zenfolio.com/f359296072


HOW?

I have been asked many times, how my 3D-images are done, so here it goes!

All the original 2D-images are imaged by me, if not otherwise stated.
Due the huge distances, no real parallax can be imaged for a volumetric information.

I have developed a method to turn any 2D-astronomical image to a various 3D-formats. The result is always an approximation of the reality, based on some known scientific facts, deduction and an artistic impression.

What are the known facts?

By using a scientifically estimated distance of the object, I can organize right amount of stars front and behind the object. (as then we know the absolute position of the object at our Milky-way)
Stars are divided to groups by apparent brightness, that can be used as a draft distance indicator, brighter the closer.  There is usually a known star cluster or a star(s) coursing the ionization and they can be placed in right relative position to the nebula itself .

Generally emission nebulae are not lit by the starlight directly but radiation from stars ionizing gases in the nebula. Hence the nebula itself is emitting its own light, at wavelength typical to each element. Due to that, and the thickness of the nebula can be estimated by its brightness, thicker = brighter. Nebulae are also more or less transparent, so we can see "both sides" at the same time.

Many other relative distances can be figured out just carefully studying the image, like dark nebulae must be front of bright ones. The local stellar wind, radiation pressure, from the star cluster, shapes the nebula, For that reason, pillar like formations must point to a cluster. ( Look previous image, above this text.) Same radiation pressure usually forms kind of cavitation, at the nebulosa, around the star cluster, by blowing away all the gas around the source of stellar wind. The ionized oxygen, O-III, emits blueish light, it requires lots of energy to ionize. Due to that, the blue glowing area locates usually near the source of ionization, at the heart of the nebula. This and many other small indicators can be found by carefully studying the image itself.

Using the known data, I can build a kind of skeleton model of the nebula. Then the artistic part is mixed to a scientific part, rest is very much like a sculpting.

WHY?

Firstly, they are great fun to do. Secondly, just because I can.

Many times images of nebulae looks like paintings on the canvas. I like to show a real nature of those distant objects as a three dimensional shapes floating in a three dimensional volume. This is a great way to show, how I personally see astronomical targets as a 3D-forms inside my head.

3D-experiments seems to increase a public interest to a subject, as you might have noticed.
I have studied my astronomical images much deeper, than ever without 3D-modeling.

3D-studies has really added a new dimension to my work as an astronomical photographer. (pun intended)





Wednesday, February 11, 2015

Pelican Nebula as an experimental 3D stereo pair


Images are for two different viewing methods, the first set of images is for the Parallel Vision method and the second set for the Cross Vision method. Viewing instructions can be seen HERE.

NOTE! This is a personal vision about forms and shapes, based on some scientific facts, deduction and an artistic impression. A short explanation, about the method used for the 3D conversion of my astrophoto, at the end of this post.

Pelican Nebula as a freeview stereo pair

For a parallel viewing method (Eyes parallel to each other)


Nebula for the Parallel Vision viewing method. Click for a large image.
Original 2D-image can be seen in HERE


For a cross vision viewing method (Eyes crossed)


Nebula for the Cross Vision viewing method. Click for a large image.
Original 2D-image can be seen in HERE

More 3D-experiments in my portfolio, including  the
Red/Cyan anaglyph 3D: http://astroanarchy.zenfolio.com/f359296072


HOW?

I have been asked many times, how my 3D-images are done, so here it goes!

All the original 2D-images are imaged by me, if not otherwise stated.
Due the huge distances, no real parallax can be imaged for a volumetric information.

I have developed a method to turn any 2D-astronomical image to a various 3D-formats. The result is always an approximation of the reality, based on some known scientific facts, deduction and an artistic impression.

What are the known facts?

By using a scientifically estimated distance of the object, I can organize right amount of stars front and behind the object. (as then we know the absolute position of the object at our Milky-way)
Stars are divided to groups by apparent brightness, that can be used as a draft distance indicator, brighter the closer.  There is usually a known star cluster or a star(s) coursing the ionization and they can be placed in right relative position to the nebula itself .

Generally emission nebulae are not lit by the starlight directly but radiation from stars ionizing gases in the nebula. Hence the nebula itself is emitting its own light, at wavelength typical to each element. Due to that, and the thickness of the nebula can be estimated by its brightness, thicker = brighter. Nebulae are also more or less transparent, so we can see "both sides" at the same time.

Many other relative distances can be figured out just carefully studying the image, like dark nebulae must be front of bright ones. The local stellar wind, radiation pressure, from the star cluster, shapes the nebula, For that reason, pillar like formations must point to a cluster. ( Look previous image, above this text.) Same radiation pressure usually forms kind of cavitation, at the nebulosa, around the star cluster, by blowing away all the gas around the source of stellar wind. The ionized oxygen, O-III, emits blueish light, it requires lots of energy to ionize. Due to that, the blue glowing area locates usually near the source of ionization, at the heart of the nebula. This and many other small indicators can be found by carefully studying the image itself.

Using the known data, I can build a kind of skeleton model of the nebula. Then the artistic part is mixed to a scientific part, rest is very much like a sculpting.

WHY?

Firstly, they are great fun to do. Secondly, just because I can.

Many times images of nebulae looks like paintings on the canvas. I like to show a real nature of those distant objects as a three dimensional shapes floating in a three dimensional volume. This is a great way to show, how I personally see astronomical targets as a 3D-forms inside my head.

3D-experiments seems to increase a public interest to a subject, as you might have noticed.
I have studied my astronomical images much deeper, than ever without 3D-modeling.

3D-studies has really added a new dimension to my work as an astronomical photographer. (pun intended)




Monday, February 9, 2015

Bubble Nebula as an experimental 3D stereo pair


Images are for two different viewing methods, the first set of images is for the Parallel Vision method and the second set for the Cross Vision method. Viewing instructions can be seen HERE.

NOTE! This is a personal vision about forms and shapes, based on some scientific facts, deduction and an artistic impression. A short explanation, about the method used for the 3D conversion of my astrophoto, at the end of this post.

Bubble Nebula as a freeview stereo pair

For a parallel viewing method (Eyes parallel to each other)

Nebula for the Parallel Vision viewing method. Click for a large image.
Original 2D-image can be seen in HERE


For a cross vision viewing method (Eyes crossed)

Nebula for the Cross Vision viewing method. Click for a large image.
Original 2D-image can be seen in HERE

More 3D-experiments in my portfolio, including  the
Red/Cyan anaglyph 3D: http://astroanarchy.zenfolio.com/f359296072


HOW?

I have been asked many times, how my 3D-images are done, so here it goes!

All the original 2D-images are imaged by me, if not otherwise stated.
Due the huge distances, no real parallax can be imaged for a volumetric information.

I have developed a method to turn any 2D-astronomical image to a various 3D-formats. The result is always an approximation of the reality, based on some known scientific facts, deduction and an artistic impression.

What are the known facts?

By using a scientifically estimated distance of the object, I can organize right amount of stars front and behind the object. (as then we know the absolute position of the object at our Milky-way)
Stars are divided to groups by apparent brightness, that can be used as a draft distance indicator, brighter the closer.  There is usually a known star cluster or a star(s) coursing the ionization and they can be placed in right relative position to the nebula itself .

Generally emission nebulae are not lit by the starlight directly but radiation from stars ionizing gases in the nebula. Hence the nebula itself is emitting its own light, at wavelength typical to each element. Due to that, and the thickness of the nebula can be estimated by its brightness, thicker = brighter. Nebulae are also more or less transparent, so we can see "both sides" at the same time.

Many other relative distances can be figured out just carefully studying the image, like dark nebulae must be front of bright ones. The local stellar wind, radiation pressure, from the star cluster, shapes the nebula, For that reason, pillar like formations must point to a cluster. ( Look previous image, above this text.) Same radiation pressure usually forms kind of cavitation, at the nebulosa, around the star cluster, by blowing away all the gas around the source of stellar wind. The ionized oxygen, O-III, emits blueish light, it requires lots of energy to ionize. Due to that, the blue glowing area locates usually near the source of ionization, at the heart of the nebula. This and many other small indicators can be found by carefully studying the image itself.

Using the known data, I can build a kind of skeleton model of the nebula. Then the artistic part is mixed to a scientific part, rest is very much like a sculpting.

WHY?

Firstly, they are great fun to do. Secondly, just because I can.

Many times images of nebulae looks like paintings on the canvas. I like to show a real nature of those distant objects as a three dimensional shapes floating in a three dimensional volume. This is a great way to show, how I personally see astronomical targets as a 3D-forms inside my head.

3D-experiments seems to increase a public interest to a subject, as you might have noticed.
I have studied my astronomical images much deeper, than ever without 3D-modeling.

3D-studies has really added a new dimension to my work as an astronomical photographer. (pun intended)